4 sheets with studies: Study sheet with woman's head and 6 children's heads: red chalk drawing, unsigned, sheet: 42 x 29.6 cm, verso portrait of a boy | "Self-caricature": felt-tip pen and charcoal drawing, pencil monogram, sheet: 35 x 21.5 cm, 1963 | Woman with baby carriage on a park bench: Charcoal drawing with color accents, charcoal signature, 1961, sheet: 29.6 x 42 cm, verso portrait of a boy, red chalk drawing | Sketch with chickens: red chalk and charcoal drawing, red chalk signature, [19]67, sheet: 21 x 29.7 cm, verso sketch of a man in profile, charcoal drawing

Invitation to the opening of the exhibition "Gerhard Altenbourg. Im Hügelgau. 32 Lithographs 1961 - 1963", Erfurt May 2 to June 30, 1964

meist signiert bzw. monogrammiert, u.a. Zyklus Töpferklasse Kunstschule Köln, Bauarbeiteraufnahmen In Mappe

als Zugabe Buch

HÖPFNER, Johanna (1900 - 1988) "Mechanisches Ballett II" Radierung. Bleistiftsignatur. [19]24. Platte: 16 x 20,8 cm. Gerahmt & hinter Glas 33,5 x 41,5 cm. Aus der Serie "Mechanisches Ballett I - III"; mit Widmung "für Wilhelm Höpfner", deutscher Grafiker und Ehemannn der Künstlerin, der in den 1920er Jahren der künstlerischen Avantgarde des Bauhauses nahestand Blatt gebräunt, leicht knickspurig.

Stadtansichten von Stockholm, Porträts, ein Kircheninterieur. 18 Seiten, meist signiert oder monogrammiert, datiert: (19)55, bezeichnet

After a drawing from 1934; Weber's handwritten text in the planned lithograph index: "The siren, drawn on stone at Gebr. Sülter Hbg. Caffamachereie [= street in Hamburg; the author]. Siren embodies the worried, anxious mother. (Under the roofs) the sleeping ones - waking the children - whimpering - noises - footsteps downstairs - now still 2 prints, stone 1943 destroyed by air raids - bombs. Printed together with Mr. Dibbern."

The artist only printed woodcuts until the end of the Second World War

From the series "Prisoners" - in memory of the artist's Gestapo imprisonment from July 1 to December 15, 1937 in the Hamburg-Fuhlsbüttel concentration camp, Berlin and the Nuremberg police prison

From the series "Prisoners" - in memory of the artist's Gestapo imprisonment from July 1 to December 15, 1937 in the Hamburg-Fuhlsbüttel concentration camp, Berlin and the Nuremberg police prison

From the series "Prisoners" - in memory of the artist's Gestapo imprisonment from July 1 to December 15, 1937 in the Hamburg-Fuhlsbüttel concentration camp, Berlin and the Nuremberg police prison

From the series "Prisoners" - in memory of the artist's Gestapo imprisonment from July 1 to December 15, 1937 in the Hamburg-Fuhlsbüttel concentration camp, Berlin and the Nuremberg police prison: "Prisoner plays chess with himself while sitting on his cot. Weber began drawing chess games in prison in 1937 [...] and also played against himself. To do this, he made a chess set out of softened newspaper, using the edges to make the white pieces and the printed parts to make the black pieces. The game, which Weber later kept carefully, is now in the Weber Museum in Ratzeburg." (Quote from Dorsch 1991, catalog raisonné of lithographs, WVZ 777)

Front with hand drawing or overdrawn lithograph not found in the WVZ with King Nobel sitting bored on a throne and Reineke Fuchs blowing soap bubbles (similar to WVZ 1398); pale impression of "Am Grabe des Gegners (II)" (WVZ 105/106) on verso

From the "Cathedral Organ Cycle"; after a drawing in the Lichtwark calendar for 1957 (April)

Also Die Holzsammlerin (III); from a series of hedgehog motifs created for the Griffelkunst-Vereinigung in 1980

2 of 45 illustrations for the picaresque novel "Der abenteuerliche Simplicissimus" by Hans Jacob Christoffel von Grimmelshausen: "Soest" and "Ankunft Paris"

Portrait of a woman by André Derain on verso; from: Edition Verve No. 5-6, Volume II, Tériade, Paris

mit Zertifikat

Self-portrait with glasses, printing plate: 23.5 x 29 cm, sheet: 63.5 x 45 cm | Self-portrait with flask, printing plate: 25 x 29.5 cm, sheet: 63.5 x 45 cm | Self-portrait with kerosene burner, printing plate: 39.8 x 28 cm, sheet: 60 x 47 cm, somewhat stained

Self-portrait in a mirror with pocket watch, copy: 190/300, [19]70, verso stamp "Jahresgabe 1970 Kunstverein Hamburg", printing plate: 47 x 38.7 cm, sheet: 75.5 x 56 cm, some handling marks in the margins, soiled verso | Self-portrait with butterfly, copy: 88/100, [19]76, printing plate: 59 x 39 cm, sheet: 75 x 56.3 cm, some handling marks and creases in the margins

Verso with dedication "I very much regret that our collaboration at the Angermuseum was so short. All the best for the future. Yours, Karl Römpler. Erfurt September 1964"

1964 Radierung, 8/20 signiert

Litho 1968 13/30 , signed

"Dream ballet", "Egg dancers" and "Maiden garland"

"Kopf", color lithograph, pencil signature, [19]64, copy: 2/100, sheet: 58.5 x 42 cm | "Gehäuse", color lithograph, pencil signature, [19]65, copy: 74/100, sheet: 59 x 42 cm

"Alfons Spandl kramt in der Vergangenheit", printing plate: 23.5 x 18.5 cm, sheet: 45 x 37.8 cm, Edition Griffelkunst-Vereinigung Hamburg e.V. No. 167 B2, verso somewhat soiled | 2x "Die unbelehrbare Mitwelt", printing plate: 39.5 x 29.5 cm, sheet: 59 x 47 cm, 1 sheet somewhat foxed | "Der idealistische Mechaniker. The bicycle bride has admitted everything.", 2 printing plates: total 29.5 x 15 cm, sheet: 43 x 28.7 cm, sheet minimally foxed | "Unerwartete Verhältnisse", copy: 39/100, printing plate: 21.3 x 24.5 cm, sheet: 50 x 37.5 cm | "Guten Tag meine Nacht", copy: 30/100, printing plate: 39.5 x 29.5 cm, sheet: 59.3 x 47 cm | "Meine Liebe zur Erde", printing plate: 23.5 x 18.5 cm, sheet: 45 x 37.8 cm, Edition Griffelkunst-Vereinigung Hamburg e.V. No. 167 B5, somewhat soiled on verso

Holzschnitt, 1965

Radierung "13. Selbstdruck", signiert

Holzstich, I/22/36, signiert

Bleistiftzeichnung auf dem Katalog-Vorsatz "Erste Biennale Berlin 1974", mit Widmung. Katalog mit 212 einfarbig illustrierten Seiten