1 of 7 sheets from the portfolio "Traces

Large collection of modern graphic art from the 1970s to the 2010s by various artists, including Gisela Schneider-Gehrke, Karin Olesen, Raimund Egbert-Geisen, Siegfried Otto-Hüttengrund, Elke Wolf, Peter Zaumseil, Erik Seidel, Horst Hussel and others.

Mixed lot with modern graphics from the 1950s to the 2000s by various artists: including Peter Nagel, Kleemann, Hartwig, Horst Janssen (poster with small defects), Jens Harder, 2 works by Elisabeth Lange-Rebhuhn, Peter Schoppel, Helmut von Altrock or 3 posters by Manfred Spies

Limit machen

"Cups and glasses", [19]91, copy: II/X | Untitled, proof, [19]94, embossed stamp "Steinhanddruck Hans Wilfert".

Galerie Sydow Frankfurt: Ferró [19]63, sheet: 59,5 x 42 | Galerie Lelong: Garache, 1988, sheet: 67 x 69,5 cm | Galerie "Im Erker", St. Gallen: Toni Stadler, 1963 - 1964, sheet: 72 x 44 cm, sheet somewhat grip-marked | Galeria Joan Prats: Johannes Muggenthaler, 1990, sheet: 76 x 56 cm | Galeria Rene Metras: Joan Ponç, 1972, sheet: 74,5 x 42,5 cm | Galeria Dau Al Set: Joan Ponç, 1974, sheet: 73 x 45 cm | Fundació Joan Miró: Max Ernst, 1986, sheet: 75 x 56 cm | Tapestries at Pace / Columbus, 1974, sheet: 59.5 x 66 cm, lower edge somewhat creased | Galerie "Im Erker", St. Gallen: Brignoni, 1961, sheet: 83 x 56,5 cm | Kunsthalle Bonn: Giulio Carlini, sheet: 59,5 x 84 cm

"It is allowed", 1979, sheet: 61 x 42 cm, sample 4/10, pencil signature, stained on verso, stamp on verso "I can't speak the Cologne dialect" | "Redudu Perletin", 1978, sheet: 86 x 60,6 cm, copy: 1 of 100, stained on verso, sheet creased

"Extinct beetles of Mecklenburg", proof print, printing plate: 18,5 x 12,3 cm | "Two bugs at the bar", printing plate: 12,5 x 9 cm, 1993

"My Sick Birds", sheet: 43.2 x 59.9 cm, copy: 13/15 (white copy), [19]69, marginal area minimally traces of handling | "Frost Blackened Insects", sheet: 45 x 60 cm, copy: 8/26 (single sheet insects), [19]68, marginal area somewhat creased and traces of handling

Verso typographical information: "This print was produced in 1922 for Propyläen-Verlag zu Berlin at the Staatliches Bauhaus zu Weimar according to the artist's specifications. The edition is 230 numbered copies."

Area space and composition with yellow circle

"Constructive Syntheses after Max Bill, Richard Paul Lohse, Camille Graeser."

With certificate

2 of 6 sheets of the set "Museum Haus Lange Krefeld 1972": "Blind Object - Tracing the Ground Formation" and "Political (Kaiser-Wilhelm-Museum Krefeld 1972). Correlationspiece"

1 of 4 sheets from the series Comic Artists Gallery No. 1 and insert with artist information; in folder of Comic Artists Gallery No. 3.

Complete artist's portfolio in original embossed case, with 6 reproduced works from private ownership, inserts with foreword by Felix Klee, biography, table of contents and imprint, copy: 302/1000, 1988 (= Faksimile der Moderne 6)

Künstlerbücher DDR

Empire-Stil, Anfang 20. Jh

Mitte 20. Jh, Bajonettfassung, Standard-Schirmhalterung

2-flammige Gründerzeit-Tischlampe. 20. Jh. Bronze-Standring, Porzellan handbemalt, Messing, formgeblasenes Opalglas. H 61 cm. Vasenförmiger Korpus mit blauem Fond, violette Rocaillenkartuschen mit schattierten Blumen in Sepia, Aufsatzschaft mit 2 Streben für die beiden 1-flammigen Schraubfassungen, Lampenschirme mit gekniffenem Rand. Funktioniert. 2 Fehlstellen und wenige Chips am Glasrand.

Bronze, 6-flammig Neogotik

gold bronzed

Messing, Mitte 20. Jh

Messing, 2. Hälfte 20. Jh

Weißer Glaskugelschirm als Zugabe